Sillaba Wall or Ceiling Lights
Sillaba from FontanaArte is a classic wall / ceiling lamp. The diffuser is finished in techno-polymer with a sand blasted glass diffuser. The smaller fixtures are low voltage lights. Designed by Piero Castiglioni in 1988.
- Diffuser in echno-polymer with a sand blasted glass
- Suitable for damp location
- Made in Italy
- UL listed
- 2775/2G: (1) 20W 12V T4 bi pin GY6,35 Halogen
- 2775/5G: (1) 35W 12V T4 bi pin GY6,35 Halogen
- 2775/12G: (1) 60W 120V T4 G9 Halogen
- Fixture (3.5" Size): 2.3" H x 3.5" W x 3.5" D
- Fixture (4.7" Size): 2.7" H x 4.7" W x 4.7" D
- Fixture (5.5" Size): 3.5" H x 5.5" W x 5.5" D
FontanaArte Sillaba Wall or Ceiling Lights
Weights & Dimensions
- Fixture: 2.3" H x 3.5" W x 3.5" D
- Fixture: 2.7" H x 4.7" W x 4.7" D
- Fixture: 3.5" H x 5.5" W x 5.5" D
|Product Type: Semi flush mount||Shade Included: Yes|
- Shade Color: 1: Gray
- Shade Color: 2: White
|Number of Lights: 1||Bulb Type: Halogen|
|Style: Modern|| |
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The Sillaba Wall or Ceiling Lights is a Modern style product. Modern style is very sleek with clean lines, and generally incorporates high gloss using whites, greys, and blacks. A focus on geometry and
angular shapes is a hallmark of modern design. Glass and leather are also seen a lot with modern style. You can shop for more Modern Flush Mount Lighting in the Lighting section of our site.
FontanaArte Sillaba Wall or Ceiling Lights
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About the Designer
Pietro Maria Castiglioni Italy (1944 - )
Pietro Maria Castiglioni, known as Piero, born in Lierna (Lecco) in 1944. After graduating in architecture in 1970, he worked with his father Livio in Via Presolana from 1973-1979, mainly specialising in lighting design. In 1968 and 1973 he was asked to work for both 14th and 15th "Triennale di Milano". In 1972 he carried out design work with Ugo La Pietra for the exhibition entitled "Italy: the new domestic landscape" at the "Museum of Modern Art" in New York. They created several lighting designs for public or private Art Galleries, temporary exhibitions, show rooms, offices, hotels and houses both in Italy and in foreign countries. They often designed special execution lights made by craftsmen, eventually resulting in the creation of the "Scintilla" system, manufactured by FontanaArte in 1983.
1992: Genoa - International Expo '92: general interior and outdoor lighting
1994: Milan - "Brera" - Napoleonic rooms: general lighting
1994: Groningen - " Groningen Museum": general interior lighting
1995: Ferrara - Diamanti Palace - Massari Palace pavilion: general interior lighting
1997: Rome - Quirinale Palace: "Sala dei Corazzieri" general interior lighting
1998: Lisbon - "International Exp≥ 90" - general outdoor lighting (premio Design de Ambientes - Premios nNacionais de Design 98/99)
1998: Sao Paulo - "Pinacoteca do Estado": general interior and outdoor lighting
About the Manufacturer
Architect Gio Ponti founded FontanaArte in 1932 as an artistic division in the company Luigi Fontana, historically, the company leader in advanced glass manufacturing and design.
The designs were first distinguished by their realization of the artistic stained-glass windows, many of which are today still functional elements and ornamental in churches and cathedrals, among the Duomo of Milan and the cathedral of Brasilia. By using glass, architect Ponti realized what an enormous potential this material could offer in the making of furnishing complements for interiors.
Urged by this intuition he started to design and produce furniture, lamps, and objects with glass as the main distinguishing feature. In a short time a new collection was ready to be marketed, and his new design concept was being used as a complement to the interior decoration of many houses that he personally designed.
FontanaArte is certified as per regulation ISO 9001:2000. All designs, developing, production and sale of lighting appliances, furnishing accessories, and merchandising observe the regulation UNI EN ISO 9001:2000 for the best quality and to achieve first class customer satisfaction.
FontanaArte's fame, linked to glass and design, continues to grow thanks to the interpretations of Gio Ponti and the insightful collaboration of Pietro Chiesa.