Special Nonexistent Furniture

Wireframe Ottoman

by Charles and Ray Eames for

Herman Miller ®

(View all from Herman Miller ®)
SKU #: HML1936
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Product Details
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Meet the Designer

Herman Miller ® Wireframe Ottoman

Lightweight, the versatile Wireframe Ottoman shifts with ease to meet the continually evolving needs of a space, and the people who work and relax in it. Casual yet sophisticated, contemporary with a sense of longevity, Hecht and Colin's design is a thoughtful reflection of how we live today.


  • Designers: Sam Hecht and Kim Colin
  • Soft volume
  • Use of Super-Seat suspension technology provides more comfort, softness, and support across the length of the structure
  • Structure external rather than internal - a durable, welded frame produced in steel rod
  • Cushions and frame can be separated, easy maintenance and cleaning and for longevity
  • Made in USA
  • Wireframe collection
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  • Overall: 17.5" H x 23.5" W x 23.5" D

Herman Miller ® Wireframe Ottoman

Weights & Dimensions

  • Overall: 17.5" H x 23.5" W x 23.5" D


Design: StandardStyle: Modern
Upholstery Material: Velvet; OtherShape: Square
Tufted Cushion: NoSlipcovered: No
Glider: NoNailhead Trim: No
Storage Available: NoCountry of Manufacture: United States
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The Wireframe Ottoman is a Modern style product. Modern style is very sleek with clean lines, and generally incorporates high gloss using whites, greys, and blacks. A focus on geometry and angular shapes is a hallmark of modern design. Glass and leather are also seen a lot with modern style. You can shop for more Modern Ottomans in the Living section of our site.

Herman Miller ® Wireframe Ottoman

When you buy a Herman Miller ® Wireframe Ottoman online from AllModern, we make it as easy as possible for you to find out when your product will be delivered. You can check on a delivery estimate for the Herman Miller ® Part #: BK10400 here. If you have any questions about your purchase or any other Ottomans product for sale our customer service representatives are available to help.Whether you just want to buy a Herman Miller ® Wireframe Ottoman or shop for your entire home, AllModern has all of your design needs covered.

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About the Designer

Charles and Ray Eames  

A chair that looked like a potato chip. Another that resembled a "well-used first baseman's mitt." A folding screen that rippled . . . With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." That look and their relationship with Herman Miller started with molded plywood chairs in the late 1940s and includes the world-renowned Eames lounge chair, now in the permanent collection of the Museum of Modern Art in New York. Charles and Ray achieved their monumental success by approaching each project the same way: Does it interest and intrigue us? Can we make it better? Will we have "serious fun" doing it? They loved their work, which was a combination of art and science, design and architecture, process and product, style and function. "The details are not details," said Charles. "They make the product." A problem-solver who encouraged experimentation among his staff, Charles once said his dream was "to have people working on useless projects. These have the germ of new concepts." Their own concepts evolved over time, not overnight. As Charles noted about the development of the Molded Plywood Chairs, "Yes, it was a flash of inspiration," he said, "a kind of 30-year flash." With these two, one thing always seemed to lead to another. Their revolutionary work in molded plywood led to their breakthrough work in molded fiberglass seating. A magazine contest led to their highly innovative "Case Study" house. Their love of photography led to film making, including a huge seven-screen presentation at the Moscow World's Fair in 1959, in a dome designed by their friend and colleague, Buckminster Fuller. Graphic design led to showroom design, toy collecting to toy inventing. And a wooden plank contraption, rigged up by their friend, director Billy Wilder for taking naps, led to their acclaimed chaise design. A design critic once said that this extraordinary couple "just wanted to make the world a better place." That they did. They also made it a lot more interesting. Office/Studio The Eames Office Santa Monica, California Awards/Recognition Organic Furniture Competition, Museum of Modern Art, 1940 Emmy Award, (Graphics), "The Fabulous Fifties," 1960 Kaufmann International Design Award, 1961 25 Year American Institute of Architects Award, 1977 Eliot Norton Chair of Poetry, Harvard, 1971 Queen's Gold Medal for Architecture, 1979 Named "Most Influential Designer of the 20th Century," WORLDESIGN '85, Industrial Designers Society of America, 1985 The Work of Charles and Ray Eames: A Legacy of Invention, Traveling Exhibition, Library of Congress, 1999

About the Manufacturer

Herman Miller ®: The name is synonymous with innovation, design, operational excellence, smart application of technology, and social responsibility. Herman Miller ® studies work and living environments and designs and delivers products and services that make these environments work better. Through problem-solving research and design, the company seeks to develop innovative solutions to real needs in working, healing, learning, and living environments. Herman Miller ® began in 1923 as a manufacturer of traditional residential furniture, became a leader in "modern" furniture in the 1930s and 1940s; developed lasting ties through the 1950s with legendary industrial designers who led the company in new directions; transformed the office furniture industry with the first panel system in the 1960s; invented and refined ergonomic work seating in the 1970s, 1980s, and 1990s; reinvented the geometry of systems furniture in 2000, and is today the second largest office furniture company with customers and locations around the world. Their history of employee participation and ownership and technological innovation has long roots and continues to grow. They have always worked hard to be serious about both people and business. They look at their primary goal as creating great places to work. George Nelson laid out five tenets of Herman Miller ® design philosophy 50 years ago: What you make is important. Design is an integral part of the business. The product must be honest. You decide what you will make. There is a market for good design. While fashion and style have their place, the main criterion for a Herman Miller ® product has remained constant: Does it truly solve a problem that people care about in a way that improves upon other solutions, or pioneers a new and better answer altogether? The answer is Yes.
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