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Cappellini enters the new millennium completely transformed in comparison to its origins, tied up indissolubly to the world of the image under every aspects and to the world of the experimentation and research. The Cappellini collections are convincing; they are well balanced, refined, simple and yet leans towards the experimental. There is no house style: the intention is to allow the user enough space for his own individual interpretation. All pieces have been designed to be used, contrary to the trend in recent years. Not only icons, many of which present in the most important museums of the world, from the MOMA in New York, to the Victoria & Albert Museum in London, to the Museum of Decorative Arts in Paris, but also flexible products of great design for the daily use: an interest that Cappellini pursues since the beginning with products able to last in the time and that have become true “classical contemporaries”.