Do-Lo-Rez Red Area Rug
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Created by Ron Arad, Do-Lo-Rez is a union of two pieces, Area Rug and sofa, conceived as a single element. Created jointly, they form an unusual project that brings the virtual world closer to the real world. Its name comes from the expression ''do low resolution''. The idea came to him after seeing a pixilated image in low resolution, which has Materialized into a three-dimensional surface. The Area Rug is made through the hand-tufting technique, making each square a different height from the ones beside it. On the other hand, its extraordinary format involves multiple vertices that seem like the final pieces of an unfinished puzzle. This game of volume and levels allows for made-to-measure, customizedArea Rugs.
- Technique: Tufted
- Material: 100% New Zealand Wool
- Vacuuming is recommended at least once a week
- Do not allow stains to dry-in and apply a suitable stain-removing solution
- Do not have the carpets dry-cleaned too often
- In the event that dry-cleaning becomes necessary, make sure that it is done by a specialized dry-cleaner
- Construction: Handmade
- Collection: Do-Lo-Rez
Nanimarquina Do-Lo-Rez Red Area Rug
|Product Type: Area Rug||Construction: Handmade|
|Technique: Tufted; Hand woven||Primary Pattern: Geometric|
|Primary Color: Red||Gender: Unisex|
|Lifestage: Adult||Material: Wool|
- Material Details: 100% New Zealand Wool
|Outdoor Use: No||Product Care: Regular Vacuuming|
|Country of Manufacture: Imported|| |
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Nanimarquina Do-Lo-Rez Red Area Rug
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About the Designer
Ron Arad Israel (1951 - )
Ron Arad was born in 1951 in Tel Aviv into an artistic family - his mother is a painter, his father a photographer. He attended the Academy of Art in Jerusalem until the early 1970s, when he decided to leave Israel and study architecture in the UK. Settling in London in 1974, he enrolled at the city's least conventional school, the Architectural Association, where he studied under Peter Cool and Bernard Tschumi with classmates like Nigel Coates, Peter Wilson and Zaka Hadid. He quickly developed artistic and cultural interests outside architecture, and his work became increasingly oriented towards design and non-rhetorical artistic uses of materials. In 1981, with Dennis Groves and Caroline Thorman, he set up One Off, the design agency that made its successful debut with a set of tubular steel furniture. Arad has made no secret of his predilection for technology and the modern aesthetic as ways of revisiting and revising typologies from the past. As a sculptor and craftsman who has taught himself to cut sheet steel, bend wooden legs and put bent plywood to new sculptural uses, he has produced furniture that is emotional and sensual as well as aggressively light and practical. A similar philosophy is evident in his designs for the futuristic foyer of the Opera House in Tel Aviv, the Belgo restaurant in London, the installations for "L'Esprit du Nomade", Fondation Cartier in Paris, the impressive project of Adidas Stadium in Paris, the Domus Totem for the Triennale in Milan, the exclusive Yohji Yamamoto's Store in Tokyo, the Design Museum in Holon, Israel.
About the Manufacturer
The history of nanimarquina is based on a very clear idea: wanting to design rugs. It’s a simple statement, a transparent declaration of intent that has become a reality by putting into practice values such as observation, innovative endeavour, communication, emotion and knowing how to contemporise traditional craftsmanship.
Since its origins in 1987, nanimarquina has been designing rugs and other textile products, paying particular attention to research on raw materials and production processes. These factors enrich the aesthetic aspect of their products, which are the true stars that give the brand its visibility and commercial success.
Today nanimarquina is one of the leading rug manufacturing firms, exporting 60% of its production. With the second generation now forming part of the management, the company continues to make, live and offer design. They continues to make the principle on which nanimarquina was founded a reality: to reinvent the rug, giving it new uses, new concepts and playing with elements such as shape, colour and texture.