Marcel Wanders grew up in Boxtel, the Netherlands, and graduated cum laude from the School of the Arts Arnhem in 1988. Marcel Wanders' fame started with his iconic Knotted Chair, which he produced for Droog Design in 1996. He is now ubiquitous, designing for the biggest European contemporary design manufacturers like BandB Italia, Bisazza, Poliform, Moroso, Flos, Boffi, Cappellini, Droog Design and Moooi of which he is also art director and co-owner. Founded in 2000, Moooi has grown into an internationally renowned design label. Additionally, Marcel Wanders works on architectural and interior design projects and recently turned his attention to consumer home appliances. Marcel was the editor of the International Design Yearbook 2005. In the same year, together with Chef Peter Lute, he established the extraordinary LUTE SUITES hospitality-concept, the first "all over city suites" hotel in the world. He also designed the interior of Blits, a new restaurant in Rotterdam and the interior of the restaurant 'Thor' at the Hotel on Rivington in New York including bar, lounge and private club. Marcel is the first and among the most important designers of Droog design. He was a juror for various prizes like the Rotterdam Design Prize (for which his own products were nominated several times) and the Kho Liang Ie prize. He lectured at SFMoMA, Limn, the Design Academy, Nike, IDFA, FutureDesignDays and has taught at various design academies in the Netherlands and abroad. Various designs of Marcel Wanders have been selected for the most important design collections and exhibitions in the world, like the Museum of Modern Art in New York and San Francisco, the VandA Museum in London, the Stedelijk Museum in Amsterdam, Museum Boijmans van Beuningen in Rotterdam, the Central Museum in Utrecht, Museum of Decorative Arts Copenhagen and various Droog Design exhibitions. Coverage on Marcel has been published in all leading design magazines and newspapers such as Domus, Interni, Blueprint, Design Report, Frame, I.D. magazine, Abitare, Wallpaper, Nylon, Elle decoration, Icon, Esquire, the International Herald Tribune, Washington Post, the Financial Times, the New York Times and Business Week. The table set Dressed was designed by Marcel Wanders. Traditionally, the rules would require that decoration be applied in the most important and most visible areas of the object. Wanders, on the other hand, applies it to secluded areas, a little out of sight, sometimes even in areas that aren't normally visible at all, so much so that we could call it a sort of introverted decoration. In this way, even though he uses a language of signs that is very rich and complex, a bit flowery, a little baroque, Wanders manages to maintain a certain level of overall elegance and lightness.Stackable and seemingly simple, the Troy Chair's design surprises: turn it around to see a floral relief pattern on the back - an opulent detail connecting classic and modern elements. The ergonomic beech-plywood seat lies on a steel-rod frame.
|Troy Chair||31" H x 22" W x 20" D||46.6 lbs|
|Back Style:||Solid Back|
|Chair Design:||Side Chair|
|Dining Type:||Casual / Kitchen|
|Product Category:||Dining Chairs|
Questions & Answers
Magis Troy Chair
Magis seizes the day. It embraces the creativity of leading global designers (Richard Sapper, Jasper Morrison, Stefano Giovannoni, Marc Newson, James Irvine, Konstantin Grcic, Ron Arad, the Bouroullecs and many others)and channels it towards objects perched on the cutting edge.
The company even earned kudos from the trendsetter's bible, Wallpaper, which placed Perazza on top of its list of "Ten who will change the way we live".
Magis is a Factory-free organization: in order to enhance the flexibility of its R&D activities, the company opted to outsource its manufacturing and relies on a local area teeming with skilled contractors.
For example, the "Air-Chair" (2000) by Jasper Morrison combines deceivingly simple design with a sophisticated gas-assisted injection moulding process. "Chair_One" (2003) is a die-cast aluminium chair_cum_frame_cum_skeleton born of the talent of Konstantin Grcic, a design that propels the brand towards new manufacturing goals, and decrees “the end of the dictatorship of plastic”. One of the latest additions to the company’s classic collections is a new line called "Fuoritema", which forms a creative bridge into new worlds, such as products for pets; Michael Young "Magis Dog House" (2002) is an example. The challenge lying ahead of Magis is perhaps that of returning to simplicity, through the complexity of advanced technology.
In 2004 Magis also launched a new collection of objects and furniture for children between two and six years old, called Me Too Collection. Nine designers for twenty-some objects. It’s not a scale reduction of the adult world. It's more of an intermediate station, emotive equipment that stimulates the little ones' perceptions and helps them to take stock of what the adult dimension will be like. It's a token of love and an intelligent welcome to the smiles of tomorrow.
Magis is 30 years old. Until a short while ago Magis was one of the few companies that manufactured objects in plastic. Today the number has increased considerably. Still, Magis uses the most advanced moulding technologies and techniques; it was the first company in the world to apply air moulding to aesthetical goods. Plastic will remain Magis’ reference material, although it is now experimenting with others such as die-cast aluminium, aluminium metal sheet and wood.
Magis is a company in perfect health because it has good projects to develop as well as good intellectual capital, which is the distinguishing feature of the company. Excellent designers, a good design team and an extraordinary supply chain. Magis is characterised by the multiplicity of its expressive languages, its search for a deep meaning of the project, and its ethics instead of aesthetics.
Magis takes three/four years to turn the idea of a project into a finished product. Magis faces projects, both difficult and complex, taking high risks. Projects are completed as long as they are supported by a high spirit of experimentation and elevated technical cleverness.
Magis works with very well-known designers, but it has always been open to work with young designers, even at the outset of their careers. Jean-Marie Massaud and Jerszy Seymour made their debut on the design scene thanks to the opportunities Magis gave them. Now Magis discovers new passions and punctually chases former design glories, adding them to the mix. There was the interlude with Charlotte Perriand, and new design chapters are being written with Robin Day, a genius of English design, Eero Aarnio, a genius of Finnish design and Pierre Paulin, a genius of French design.
It is the price to pay for success. To reduce the possibility to be copied the entrance barrier needs to be elevated greatly. One will have to do complex projects with inventive loftiness and considerable engineering investments, and make moulds and equipment with high technical performance (technique is the ability of a company to make technology work). A qualitative distribution should too play an important role against copies selecting design-oriented companies and keeping me-too-oriented ones out.