Cappellini Hi Pad Chair
Weights & Dimensions
- Overall: 32" H x 16.5" W x 20.75" D
- Seat: 25" H x 16.5" W x 20.75" D
- Overall Product Weight: 18lbs
|Product Type: Side chair||Finish: Gray|
|Distressed: No||Frame Material: Wood; Manufactured wood; Metal|
- Frame Material Details: Birch, Beech plywood, Stainless steel
|Number of Items Included: 1||Arms Included: No|
|Upholstered Seat: Yes|
- Seat Cushion Fill Material: Foam
|Upholstered Back: Yes|
- Back Cushion Fill Material: Foam
|Style: Modern||Back Style: Solid back|
|Swivel: No||Foldable: No|
|Dining Type: Casual/Kitchen||Stackable: No|
|Number of Legs: 4||Leg Material: Metal|
|Felt Foot Pads: Yes||Ergonomic Design: Yes|
|Commercial Use: Yes|| |
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The Hi Pad Chair is a Modern style product. Modern style is very sleek with clean lines, and generally incorporates high gloss using whites, greys, and blacks. A focus on geometry and
angular shapes is a hallmark of modern design. Glass and leather are also seen a lot with modern style. You can shop for more Modern Dining Chairs in the Living section of our site.
Cappellini Hi Pad Chair
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Hi Pad Chair online from AllModern, we make it as easy as possible for
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About the Designer
Jasper Morrison England (1959 - )
Jasper Morrison was born in London in 1959 and graduated in Design from Kingston Polytechnic Design School, London (1979-82 BA (Des.)) and The Royal College of Art for Postgraduate studies (1982-85 MA (Des.) RCA). In 1984 he studied at Berlins HdK on a Scholarship. In 1986 he set up his first design studio, called the Office for Design, in London. Soon after this, he began his lasting and useful cooperation with Cappellini. Nowadays, he works in London and in Paris for high level companies such as Alessi, Flos, Rowenta, Sony and Samsung.
About the Manufacturer
Cappellini enters the new millennium completely transformed in comparison to its origins, tied up indissolubly to the world of the image under every aspects and to the world of the experimentation and research. The Cappellini collections are convincing; they are well balanced, refined, simple and yet leans towards the experimental. There is no house style: the intention is to allow the user enough space for his own individual interpretation. All pieces have been designed to be used, contrary to the trend in recent years. Not only icons, many of which present in the most important museums of the world, from the MOMA in New York, to the Victoria & Albert Museum in London, to the Museum of Decorative Arts in Paris, but also flexible products of great design for the daily use: an interest that Cappellini pursues since the beginning with products able to last in the time and that have become true “classical contemporaries”.